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It’s good fun and, for a while at least, it’s interesting to watch the actors fulfill the play’s impish demands.
The Folk Americana Roots Hall of Fame and the Panopticon Gallery host very different shows featuring rock icons.
While he paints, Stanley Whitney listens to and is inspired by jazz. Miles Davis’s album “Bitches Brew” is his constant companion in the studio.
With Bones and All, Luca Guadagnino solidifies his place as a filmmaking maverick able to bend genre conventions in ways that express his own painfully beautiful artistic vision.
Technology-driven horror narratives are ubiquitous these days: Red Rose has an authentic look that makes its creepiness distressingly plausible.
Plan to linger over every moment of this revelatory, diverse, and understated special exhibition.
There are no angels in Mark Rothko’s work: only the ascendancy of glorious color.
This remains a vision of a dystopian universe, but in the hands of these performers “Waiting for Godot”‘s angst exudes as much antic warmth as it does cold angst.
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