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This modest film manages to hold the viewer’s attention, not to mention his or her compassion, throughout.
Fresh Ink Theatre is to be applauded for taking risks, for daring to mix it all up, for giving audiences a taste of what theater, shelter-skelter version, can be.
“Fading Gigolo” isn’t about fulfillment, sexual or otherwise — it’s about the transitions in the lives of its characters.
Octavio Solis’ Quixote Nuevo, is a genial, and very American, riff on Don Quixote.
It’s the wild mind of puppeteer Paul Zaloom that’s really on display here.
This week’s column is all about cozy comfort, decadent distractions, and heart-melting romance.
“I try not to live in fear, which is the big thing we have to fight right now.”
To be silent in the face of cruelty is to be complicit. And I refuse to be complicit. Surely we have to recognize that there are differences in taste. But to skewer another writer with such precision and glee? That is beyond the pale, especially in these perilous times.
Pavel Kolesnikov and Samson Tsoy’s debut CD is breathtaking, released a few months after the pair’s acclaimed performance at Carnegie Hall earlier this year.
Book Review: “Was It Yesterday?: Nostalgia in Contemporary Film and Television” — Looking at the Past, Fearlessly
The essays in this excellent volume consistently show that nostalgia is about something, and it matters.
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