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D. A. Pennebaker was inventive, dogged, and had the ability to win people’s trust.
Read MoreThe late Albert Maysles once said: “I don’t see, frankly, trying to make a film to create better understanding. Our motivations for making films aren’t intellectual ones.”
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To its credit, this “true crime” documentary treats the tragedy of each victim with empathy and respect.
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Part cautionary tale about the fate of the earth, part homage to Samuel Beckett, part theatrical metaphor for dementia, X is a harrowing exploration of the human psyche.
Read MoreWhat came through strongest was Darlene Love’s pride in having a new album out and a comeback underway.
Read MoreDid Martin Scorsese want this film about religious faith to reverberate so faintly, to make its point through such awkward stillness?
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Here we are more than a year into the tumultuous Trump era, and we have not seen a revival of angry punk or righteous folk.
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This is hard-hitting neo-noir parable whose dark humor delights as it strikes at the corrupt heart of business as usual in Argentina.
Read MoreJim Harrison’s prose is gorgeous, illuminating. The simple language slides into your head and resonates there.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner