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The Decemberists are passionate, intense and they put on one hell of a show.
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In this conversation, Elizabeth Howard engages with Tyler Wetherall, focusing on how she connects with the literary community in New York City through her newsletter, “Reading the City.”
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For Fleet Foxes, Shore is impressively consistent. Each track presents a meticulously detailed soundscapes deepened by Robin Pecknold’s varied meditative perspectives.
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On her solo debut, the former Paramore lead singer undergoes a startling transformation.
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Joshua Sobol isn’t interested in exploring dramatic possibilities but making sure his equation about the inevitable mechanics of violence works out.
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For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.
Read MoreEcho’s Bones is a fascinating immersion, somewhat inept in its means, but sincere and gravely serious, in a subject that Samuel Beckett made increasingly his own.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreStudents and audiences of tomorrow deserve exposure to great dances, but they are not always getting them.
Read MoreArts Fuse critics select the best in music, dance, film, and theater that’s coming up this week.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner