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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
The Decemberists are passionate, intense and they put on one hell of a show.
For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.
Students and audiences of tomorrow deserve exposure to great dances, but they are not always getting them.
In this conversation, Elizabeth Howard engages with Tyler Wetherall, focusing on how she connects with the literary community in New York City through her newsletter, “Reading the City.”
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Viewers would be wise not to search for a deeper meaning in “Caught Stealing” — this is an example of entertaining commercial filmmaking from one of our best directors.
The exhilarating power of live music in a small club blazed forth whenever the momentum built loud and hard toward a stirring transition.
Singer Marc Jordan has earned his voice the hard way, trekking through the music business for 50 years, and there’s a weathered honesty in his music now.
The Finnish conductor’s welcome return to the Boston Symphony Orchestra heralds the kick-off of a two-week festival of Nordic music.
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