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In any piece, the remarkable pianist Jason Moran might go to the very edges of the harmonic movement, until he on the verge of free jazz.
Despite an appearance by Satan, this is not all that frightening a yarn for Halloween, but the MRT’s production is absorbing nonetheless.
Although there are bumps on the way from the brilliant first season to the uneven fourth season, “The Many Loves of Dobie Gillis” stands as a clever, thought-provoking and joyful creation – a pleasure that’s anything but guilty.
As its plot unfolds, Amsterdam treats us to a strangely magical form of visual and verbal storytelling, both humorous and hard-edged, by turns sweet and shocking, with richly curated frames and bright spirited dialogue.
Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.
While nothing happens, there’s an understated splendor in all that’s uneventful here, so much so that I didn’t want to miss any of it.
James Lee Burke’s “Clete” is Beat poetry, suffused with sadness and longing for all those sunsets now gone.
Marjorie Prime explores the complex connections generated among four family members as they attempt to make sense of grief.
Writer-director Catherine Breillat’s Abuse of Weakness is a fascinating, nicely restrained look at what in retrospect was a parasitic relationship.
By Mary Sherman View Gallery As the cultural historian Mira Bartok notes, “The great modern architect Stanley Tigerman once said that to him, tiles are both democratic and accessible. The are the essence of what public art has the potential to be – an art form that can be found anywhere in the world by…
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