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For fans of jazz, world music, Americana — in short, for fans of all the genres guitarist Bill Frisell has explored over the past decade — “East/West” is a must. By James Marcus Will the real Bill Frisell please stand up? It’s a question his admirers have been asking with increasing frequency over the past…
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Honk for Jesus. Save Your Soul. would have been wise to stick to being a conventional mockumentary, a sardonic deconstruction of its target, the megachurch.
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Gallim specializes in depicting raw emotions through movement.
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Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
Read MoreSlow West bursts with visual interest, but doesn’t seem to be able to settle on what story it wants to tell.
Read MoreThere’s one thing both Robinson brothers lack outside of The Black Crowes: creative tension.
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Tony Zierra’s film is a worthy and interesting one, but I admit to becoming worn down by the endless litany of unglamorous ways that protagonist Leon Vitali worked his butt off for the genius filmmaker.
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Super-talented band with sharp material, big label backing, hot-shot producer, top-shelf recording studio—what could go wrong? Plenty.
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Dark Waters may not be Todd Haynes’ most beautiful film, but it may yet prove to be among his most important.
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Cultural Commentary: Songs of Forgetting – From the Cultural Quarantine of the 1918 Flu Pandemic
At a time when fear of the influenza was in danger of being deemed unpatriotic, art retreated to nationalism or escapism.
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