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Existential Reckoning confronts today’s lethal inanity in blistering fashion, via songs that posit dire consequences for a country that wants to be entertained more than wants to be informed.
The jazz world says goodbye to a much-loved pianist and to the documentarian of an iconic photo.
There’s one thing both Robinson brothers lack outside of The Black Crowes: creative tension.
Tony Zierra’s film is a worthy and interesting one, but I admit to becoming worn down by the endless litany of unglamorous ways that protagonist Leon Vitali worked his butt off for the genius filmmaker.
Coro Allegro successfully delivered the joy, grief, and nostalgia inherent in each of these complex vocal works.
Honk for Jesus. Save Your Soul. would have been wise to stick to being a conventional mockumentary, a sardonic deconstruction of its target, the megachurch.
Gallim specializes in depicting raw emotions through movement.
Summer Cannibals’ main virtue is its keen transmission of psychological warfare in families.
Slow West bursts with visual interest, but doesn’t seem to be able to settle on what story it wants to tell.
By engaging with this work, museum visitors are likely to gain a greater appreciation for — and understanding of — the wide-ranging talents of Indigenous artists.
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