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George Li’s latest release showcases a budding artist with a growing command of musical structure, technique, and character; Bruce Liu’s got the measure of Erik Satie’s music — next time, perhaps, he can take on more of it.
Senorita 89 isn’t an easy watch because of its stinging depiction of misogyny, but it’s a powerful one.
These essays aren’t overly scientific; instead, they remind us, with a gentle nudge, to take delight in nature, to pay attention to it, to be observant.
A taboo interracial romance may not be groundbreaking material for fiction, but Robinson’s spare conflicts are only the means to generate intimations of the profound in the everyday.
The moral of Jen Silverman’s yarn is straightforward enough: we are in a country where self-transformation has become an end in itself, re-invention a default response to omnipresent banality.
So much goes on over the course of Live From the Fox Oakland that the TTB upends the notion of a band “settling” into a sound.
Why, Rita Costanzi asks incredulously, do harpists, albeit occasionally, marry other harpists: “Does the word masochist mean anything to you?”
Updated Local artist, curator and arts educator Susan Erony, whose text piece on silk “To Gloucester with Love” is a setting of a Charles Olson poem, gave a model of an arts center talk on the evolution of text as visual art.
Director Alejandro Jodorowsky is a fascinating artist, but this rehash of his own Dadaesque style is lurid, stale, and simplistic.
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