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Film Review: “Wildcat” — Flannery O’Connor’s Quest for Grace

May 23, 2024
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“Wildcat” is a biopic that sticks with you for days, bedeviled by questions and revelations.

Television Review: “Fisherman’s Friends” — Corny, but Cornwall Shines

July 23, 2020
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What makes this somewhat derivative movie soar is its music.

Classical Music Preview: Tanglewood 2019 Season Announcement

November 17, 2018
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Next summer promises to be a safe one, musically, at Tanglewood.

Film Review: The Maine Jewish Film Festival — “BANG! The Bert Berns Story”

March 27, 2017
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A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.

The Arts on the Stamps of the World — May 9

May 9, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

Dance Review: Hubbard Street Dance Chicago Comes to Boston — Sensorial Satiation

April 24, 2016
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The latest show from the superb Hubbard Street Dance Chicago had something for all of the senses.

Book Review: Julian Assange Trades Hopes and Fears With Cyberpunks

October 25, 2013
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Any book in which the fourth sentence is “The world is not sliding, but galloping into a new transnational dystopia” runs the risk of overstating its case from the get-go.

Film Review: “Evil Does Not Exist” — A Slow-Mo Eco Drama

May 11, 2024
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Ryusuke Hamaguchi’s latest film is consciously frozen paced to the point of parody.

Theatre Review: 1001 — Fun Until the Scimitar Falls

July 21, 2011
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Dramatist Jason Grote spins a postmodern, political variation on Scheherazade in his play 1001, and while it skimps on the imaginative playfulness of other versions, its time-tripping allusiveness has a scruffy intellectual charm.

Watch Closely: “The Killing”/”Forbrydelsen”: Original Sin

August 28, 2021
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This is the Danish series that may well have inspired a juggernaut of provocative stories generated by life in these cold, civilized, but often dark Scandinavian lands.

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