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The Hop, as it is known, is more than a collection of performance venues; it plays an active role in developing art and artists.
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A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Read MoreComing of age in today’s world is a tumultuous and confusing experience; Ken Urban’s script expertly taps into these modern anxieties.
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In “Nouvelle Vague,” director Richard Linklater thrillingly captures the sense of Jean-Luc Godard as an artist feeling his way in real time, as if in a dark room, toward a new vision.
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Raida Adon rejects political categories because they fail to capture the utter strangeness of lived experience.
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If we factor in the triple-size oversell crowd, the bad drugs circulating, and the home field advantage, there was plenty there to inspire The Stooges to raise some merry hell.
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Music Commentary Series: Jazz and the Piano Concerto — The Great God George
There are still some places where the genius of George Gershwin is underappreciated, and regrettably, they include most of the concert halls in his home country.
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