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Journalist Alissa Quart is hardly the first on the left to lament the dark underbelly of American individualism.
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Move over Patrick Bateman, there’s a new axe-wielding psychopath for impressionable young cinephiles to project themselves onto in town.
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The artists on this expansive tribute frequent different genres, but they find ways into these songs that play to their respective strengths while also deftly showcasing the underlying sturdiness of Neal Casal’s material.
Read MoreTerraferma is well-meaning, properly on the side of human rights, but also schematic and thematically heavy-handed.
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Here are some wonderful offerings to get you through the gloomy months ahead, including under-sung and under-seen horror baubles that you may have missed.
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This list consists of recent music documentaries that I streamed over the past year — a couple of duds as well as the standouts.
Read More“Le Joli Mai” is serious and sober, a bit of a downer, climaxing in a lengthy interview with a dullard union official about why he supports the French Communist Party.
Read MoreAnother neglected master from New Zealand — writer C.K. Stead by Bill Marx I just noticed that a week before Janet Frame’s previously unpublished story “Gorse is not People” appeared in “The New Yorker” the magazine published a poem by another fine New Zealand author, C.K. Stead. He not only knew Frame at the time…
Read MoreParty Girl has won a plethora of festival awards, including two at Cannes in 2014.
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Cultural Commentary: Time for Arts Groups, Large and Small, to Display Some Bona Fide Irreverence
The question before arts organizations and companies is the same one that looms over the rest of us: will they—can they—act before it’s too late?
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