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If Castle Rock is intended to be a commentary on Trump’s not-so-great America, well, what better genre than horror to spread the angst?
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Mare of Easttown is particularly effective in interweaving troubled domestic timelines, families held together by women who are on the brink of psychic or emotional collapse.
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Indefinite argues that legitimate change in the way this country deals with people accused of breaking the law would have to begin with the recognition of their humanity.
Read MoreMay is inevitably one of the busiest times of year on the Latin, gospel, and R&B concert calendars as promoters hold Mother’s Day’s events and try to lure audiences indoors one last time before the start of summer.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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“What we didn’t want was just another jazz festival. I hope it never turns into that. We were focused on early jazz, traditional jazz from New Orleans, dating back to the 1920s and 30s, before the advent of the big band era.”
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As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Even an imperfect work-for-hire like Damaged Lives can show the touch of an artist.
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William Friedkin’s “The Exorcist” stands, 50 years on, as a primer on how to lure viewers in with striking, haunting imagery as a prelude to a previously unimaginable cinematic journey.
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Holiday Commentary: Making Room for the Stranger