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Novelist Dan Jones excels in re-imagining the life of common people in wartime, in particular a small group of English fighters embroiled in the so-called Hundred Years War (1337–1453) between England and France.
As the age of Covid-19 more or less wanes, Arts Fuse critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
Even an imperfect work-for-hire like Damaged Lives can show the touch of an artist.
The magazine’s jazz critics look back over the past year and highlight their favorites — performances, recordings, and books.
RUBBERBANDance shares some elements of the new-circus genre: a set of very specialized and spectacular physical skills, and the idea that although circusy movement can bombard the audience with thrills, it can also imply human relationships.
An Arts Fuse regular feature: the arts on stamps of the world.
“What we didn’t want was just another jazz festival. I hope it never turns into that. We were focused on early jazz, traditional jazz from New Orleans, dating back to the 1920s and 30s, before the advent of the big band era.”
We have a biography that reads like a novel in its range and intensity, a biography that forces us to dig deeper into our own preconceived prejudices and understand another man — a famous writer — in ways that neither he nor we might have ever thought possible.
Jeffrey Sweet has provided a handy oral history of the ways playwriting has changed over three generations.
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