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Shahrazad is the latest in Double Edge’s summer spectacles, and with this piece, director and designer Stacy Klein has found the perfect balance between story and visuals.
Read MoreIt’s not a simple story. It’s a story about dreadful ideas, hideous politics and their interaction with art and aesthetic judgment.
Read MoreThough unquestionably didactic, Skip Schiel’s images are also haunting glimpses of the perilous nature of life in Gaza. The photographs never feel invasive or forced; they simply capture moments of intimate truth between photographer and subject.
Read MoreA.R.T artistic director Diane Paulus, entrepreneur extraordinaire, seems to have plucked impulse for character and meandering plot from a watered (down) idea of The Tempest.
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It was a mind-blowing experience. Countless times in dance performances a choreographer strives to make movements on stage mimic music. But Dianne McIntyre was dramatizing a much deeper, more organic connection.
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Damn straight, English singer/songwriter Beth Orton was back in the room – after a six-year absence.
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Errol Morris allows Stephen Bannon to indulge in his vision of how he will save America, with Donald Trump as his agent and himself as the genius manipulating events.
Read MoreThanks to CLT’s pluck and commitment to underperformed repertoire, Boston audiences have the chance to check out the rarely performed opera “Mozart and Salieri” for themselves.
Read MoreBrad Lawrence and Cyndi Freeman are planning to bring their one-person shows to Boston in the near future.
Read MoreA movie critic can’t help but tie the Boston Marathon tragedies to the cinema, and so John Frankenheimer’s “Black Sunday” (1977) obviously flashes to mind.
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