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Mechanical as Chic!’s story is, it is rare to have this kind of French fluff put across with so much charm and vivacity.
Read MoreBy Bill Marx For any self-respecting Shavian, the major attraction of Canada’s Shaw Festival is the chance to see first-rate productions of plays by GBS and his contemporaries, especially the opportunity to take in ace stagings of scripts that fall outside of the greatest hits list. But during the `80s a close second was the…
Read MoreFrom gophers, “Ghostbusters” and groundhogs to “Broken Flowers” and beyond, Murray evolves into something much more meaningful.
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Two cheers for monogamy in Steven Soderbergh’s “Black Bag”
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Pianist Beatrice Rana has a particular talent for building a line in ways that are both exactingly dynamic and robustly emotional.
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>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
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Keith Jarrett has said that he thinks there is room for C.P.E. Bach recordings on a modern piano. He proves himself right with these 1994 recordings.
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At the ICA, artist Raúl de Nieves’s work is playful, joyful, and up for interpretation.
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Interpretively, this installment in the BSO’s cycle of Dmitri Shostakovich’s fifteen symphonies is occasionally (and a bit surprisingly) spotty.
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Rock Remembrance: Tom Verlaine
Tom Verlaine will be most remembered for Marquee Moon, both the album and title track, which alone would be enough to seal any legacy.
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