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Rock Concert Review: The Black Crowes — Flying High

September 17, 2021
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You would never suspect from this big ol’ rock ’n’ roll show that The Black Crowes was essentially toast just a few years ago.

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Dance Review: Russian Romantics — John Cranko’s “Onegin” at Boston Ballet

March 3, 2016
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The rapturous reaction to Boston Ballet’s performance on Sunday afternoon demonstrated that this kind of work can still move an audience.

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Film Review: Spin Crazy

August 8, 2005
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The critically acclaimed documentary “Rize” claims to be about a new form of hip hop dancing, called “krumping,” that transcends commercialism. By Debra Cash The commercial calculation of MTV, smoggy and as near at hand as central LA, lurks in the margins of the new critically admired hip hop dance documentary, “Rize.” The film examines…

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Fuse Classical Music Review: Chameleon Arts Ensemble Ends Its Season Brilliantly

May 15, 2012
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Chameleon Arts Ensemble’s programming, the brainchild of its director and flutist Deborah Boldin, aims to place pieces together that have interesting things in common musically and culturally.

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Film Review: “Helmut Newton: The Bad and the Beautiful” — Naughty or Nice?

July 24, 2020
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In this documentary, the photographer and his art are not so much defended as explained through the voices of the world’s top models and movie icons with whom he worked.

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Concert Review: Tedeschi Trucks Band — Even Now, Still Evolving

December 8, 2019
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Each concert offered all that the Tedeschi Trucks Band  can do.

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Feature: The Arts on Stamps of the World — January 1

January 1, 2017
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The Arts Fuse begins a new regular feature: the arts on stamps of the world.

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Dance Review: Classical, Three Ways, at Boston Ballet

May 10, 2017
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All of three of these ballets adapted the classical vocabulary and demonstrated that constant evolution is what keeps classicism alive.

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Weekly Feature: Poetry at The Arts Fuse

May 9, 2024
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This week’s poem: Elizabeth Marie Young’s “The 5 Magic Words”

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Culture Vulture: High Marks for ‘Sea Marks’

July 11, 2010
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By Helen Epstein Perhaps a director’s most important choice is sifting through the great backlist of dramatic literature and choosing a play whose sensibility she not only wishes to explore and inhabit, but that she can cast and direct well. When the play, the director and design team, the actors, and historical moment all line…

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