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If you want to expand your heart and mind this holiday season, you couldn’t do better than go to The Little Prince.
Read MoreImitation and musical thievery are pretty standard in the current world of mainstream music, but when The Machine took the stage last night to perform the music of Pink Floyd, they drew a precise and deliberate line between impersonation and authentic tribute.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Here are some wonderful offerings to get you through the gloomy months ahead, including under-sung and under-seen horror baubles that you may have missed.
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For those seeking adventure away from cookie-cutter arena rock, Phish still fit the bill.
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In its day, Ingagi raked in the crowds with a promise of weird African animals and “wild” women, and a teasing of bestiality.
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Reviews of three shows seen during a trip to Ireland and England — Shakespeare at London’s Globe and “Dublin Oldschool” and “Riverdance” in Dublin.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Dance Commentary: Trust Art, Not Theory
By Debra Cash A retrospective chronicles the four-decade career of radical dance giant Yvonne Rainer. Yvonne Rainer: Radical Juxtapositions 1961-2002 at the Carpenter Center for Visual Arts in Cambridge, MA What Rainer has been doing isn’t hard to see, as long as it isn’t theorized into academic incomprehensibility. Over time she has been called a…
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