Search Results: The Slip online

Theater Commentary: A Wacky Vision of Violence — “Gary: A Sequel to Titus Andronicus”

April 12, 2022
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Finally, a sign that American theater might be facing the world of violence outside of its usual provincial purview.

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Opera Album Review: First-Ever Recording of “Shamus O’Brien” — A Long-Forgotten Delight by One of Britain’s Savviest Composers

September 2, 2024
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A success in 1890s London and New York, the engaging Irish comic opera “Shamus O’Brien” finally gets Its world-premiere recording

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Theater Review: “Faceless” — Dramatically Indecisive

September 21, 2017
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Selina Fllinger’s play manages to serve up some vivid confrontations between believers and doubters.

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Opera Album Review: A Fittingly Fresh First Recording of a Flexible One-Acter by Donizetti’s Teacher

June 4, 2023
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Johann Simon Mayr’s delicious L’Accademia di musica gets a spiffy performance from the “Rossini in Wildbad” Festival.

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Commentary: Once More, Back to the Little Shop of Horovitz

April 10, 2018
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The strategic silences in the Boston Globe’s piece on the legacy of Israel Horovitz are disturbing.

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Film Reviews: The Boston French Film Festival Offers Cinema’s Crème de la Crème

July 22, 2025
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The Museum of Fine Arts screens some ripples from the New Wave.

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The Boston Festival of Films from Iran returns to the MFA — Beneath The Veil

January 25, 2023
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These films provide a glimpse into the workings of a culture and society increasingly cut off from the rest of the world as well as a taste of a cinema that had once been among the world’s greatest and which may one day be again.

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Book Review: Memoir as Love Letter — “Into the Garden with Charles”

June 4, 2012
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Into the Garden with Charles reads like a great love letter: beautifully written, full of feeling, a document of an intimate connection that never lost its wonder for the author.

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Film Review: “Inherent Vice” — Like an Acid Trip, Secondhand

January 25, 2015
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Inherent Vice is a giddy, trippy potpourri that tries to make a virtue of never quite settling on what kind of story it wants to tell.

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Classical Music Review: A Killer “Cardillac”

March 1, 2011
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Many musicians know Paul Hindemith (1895–1963) as a somewhat dry composer who wrote a few operas as well as sonatas for every instrument and some half dozen for viola (he played both violin and viola extremely well). But real Hindemith has a cutting lyrical gift, much of  it is on display in his kinky opera…

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