Search Results: The Slip online
I don’t want to give anything away. Not that I could because I really had no idea what anyone was talking about, except that what it is really all about is love.
Read MoreCarrying cacti around the stage in boxes and placing them on their heads and in predictably suggestive positions, the Boston Ballet dancers looked like they were having a blast
Read MoreTo judge from the all-around energetic playing of the BSO, it seems conductor Jaap van Zweden has struck a good rapport with the players and I, for one, look forward to hearing more from him in coming seasons.
Read Moreby Bill Marx “Catharsis isn’t a wound being excavated from childhood.” – Sarah Ruhl NPR as well as New York theater critics think playwright Sarah Ruhl, the “Golden Ruhl” with “The Midas Touch,” is sure money in the artistic bank. A winner of a MacArthur “genius” grant and a Pulitzer Prize finalist in 2005 for…
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Played and sung with verve in its New England premiere, “Frederick Douglass” stands as the most significant revival BMOP has undertaken in recent years.
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“PoemJazz” is a project where music and poetry reinforce each other, where the declaimed poetry works like the sung line of a song — though Robert Pinsky never sings or pretends to.
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Violinist Ray Chen and the BSO delivered one of the most seismic performances of Tchaikovsky’s Violin Concerto that I’ve heard.
Read MoreA historian’s view of the tumultuous world of early sixteenth century Europe, an age of exploration, revolt, and religious upheaval.
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While nothing happens, there’s an understated splendor in all that’s uneventful here, so much so that I didn’t want to miss any of it.
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