Search Results: French web series Destin creator

February Short Fuses — Materia Critica

February 3, 2023
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.

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Film Review: William Kentridge’s Wondrous “Self-Portrait as a Coffee Pot”

October 6, 2022
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The nine-part film series focuses on the artist in his studio in Johannesburg. We see William Kentridge as he draws, paints, designs, paces the floor, and thinks out loud — among other things.

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Visual Arts Review: Clark Art Institute — America Discovers Rodin

July 31, 2022
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Rodin in the United States: Confronting the Modern is the show of the summer in the Berkshires — remarkably extensive, with 25 works on paper and 50 sculptures in terra cotta, plaster, marble, and bronze.

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Coming Attractions: January 13 Through 29 — What Will Light Your Fire

January 13, 2019
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.

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Fuse Coming Attractions: November 29 to December 8—What Will Light Your Fire This Week

November 29, 2015
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Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.

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Theater Review: “Made in China 2.0” — The Art of Taking Risks

February 3, 2023
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Made in China 2.0 is valuable as an act of theatrical witnessing, the voice of a rebel who is facing considerable challenges from the powers that be.

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Fuse Coming Attractions: July 24 through August 2 — What Will Light Your Fire

July 17, 2016
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Arts Fuse critics select the best in theater, visual arts, film, music, author events, and dance for the coming week.

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The Arts on the Stamps of the World — March 30

March 30, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on the Stamps of the World — May 6

May 6, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Visual Arts Review: Ambiguity in Wonderland — Rachel Portesi’s “Standing Still” at the Griffin Museum

October 16, 2022
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More than skin deep, and not as sentimental as it might first appear, Rachel Portesi’s adoption of Victorian techniques is appropriate to the themes of loss and change she sets out to explore.

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