Search Results: BUH-BYES
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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Film noir’s penetrating, knowing diagnosis of, and response to, corruption and venality prepares us for the dank turpitude that lurks in places both highfalutin and hidden.
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More homages to 1971’s magnificent bursts of cinematic iconoclasm, from McCabe & Mrs. Miller to The Music Lovers and Walkabout.
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For viewers weary of horror that embraces the minimalist and dystopian, The Pale Blue Eye — chock-full of emotion, mystery, and romance from a bygone era — is a welcome sight indeed.
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These satanists are far less concerned with organizing decadent ceremonies (though there is a fair bit of that, and it’s thrilling to behold) than they are with exposing corruption and hypocrisy.
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In this remarkable and timely book, David Treuer is determined that Native American history not be seen as a “catalog of pain.”
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Bob Dylan’s new song not only articulates the madness that undermines the American experience, but supplies a certain kind of corrective, a tonic, for that kind of insanity.
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What makes The Traitor ultimately worth watching is its epic sweep, the deft way director Marco Bellocchio and his below-the-credits team carve out the dramatic highlights of Italy’s twenty year war with the Cosa Nostra.
Read MoreTwo powerful documentaries that explore the dark side of America, past and present.
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My advice: see this show in Boston before it settles into New York for what should be a long run.
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Arts Feature: Best Movies (With Some Disappointments) of 2025