Search Results: BUH-BYES
“Kim’s Convenience” offers a genial comic glimpse of an immigrant family’s struggle for dignity and an economic foothold.
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While one hopes that never-before-released live shows are found and released, it is nice to revisit the start of Brian’s Wilson’s second-chance career.
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A preview of a few of the obscure gems and curios in this huzzah to Columbia Pictures.
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Shakespeare’s “Macbeth” serves as a springboard for a memorable new vision by these inventive, multimedia theater artists.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Perhaps asking that Judy Chicago’s exhibition not come was a necessary strategy in the short term, to help end Israeli brutality. But the lesson her show teaches us is necessary in the long term, so that Israelis will stop glorifying that very same brutality.
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Maybe “A House of Dynamite” wants to tantalize us with a nightmare from which there is no escape in order to distract us, briefly, from the ongoing disasters that we are compelled to face and overcome.
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“The Mastermind” points to the impossibility of trying to live as though the outside world and its politics don’t exist.
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Arts Remembrance: Donna Jean Godchaux — She Brought Soul and Grace to the Grateful Dead
Donna Jean Godchaux changed the Grateful Dead – adding a Southern accent and feminine energy to this rough-hewn psychedelic troupe – and the Grateful Dead changed Donna Jean Godchaux – elevating her from session singer footnote to jam-scene royalty.
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