Search Results: BUH-BYES
What Ayad Akhtar reveals, with stunning detail and a passion and an urgency rarely seen in American fiction, is that his is a story marked by a loneliness similar to that found in Melville, Dreiser, and T.S. Eliot, among others, and that puts him squarely in their company.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThere was a memorial service for Caldwell Titcomb, invaluable friend of the arts in New England, yesterday in the Memorial Church at Harvard University. He passed away on June 12th of leukemia at the age of 84. The ceremony was moving and heartfelt, with memories shared about Caldwell as a friend, composer, critic, grammarian, teacher, brother, long-time President of the Elliot Norton Awards, and researcher in African-American history.
Read MoreMaybe the greatest value of Saviano’s narratives is that they rebuke the complicity of silence; they are acts of dissent that refuse to kowtow to the oppressive omertà.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreAt its best, Mark Twain emerges in this biography as much a live wire as ever: brash, outspoken, and overflowing with exasperating contradictions.
Read MoreSelf-production, I think, is for artists who also are entrepreneurs who have a burning desire to get their voice heard.
Read MoreOur expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Music Commentary Series: Jazz and the Piano Concerto — Who Cares?
The media tools now available have brought us closer than ever to getting the amusements we want as soon as we want them, which puts all forms of art music at a serious disadvantage.
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