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Stoneham Theatre’s atmospheric staging of Jeffrey Hatcher’s version of “Dr. Jekyll and Mr. Hyde” is a production well worth seeing — it lives up to its billing as “a new look at a horror classic.”
Read MoreWhenever you hear greeting card bromides intoned with a straight face (it’s usually in scenes set in a hospital) you know that moral fuzziness isn’t far behind.
Read More[Updated.] Arts Fuse critics select the best in dance, music, and film that’s coming up this week.
Read MoreIn the first episode, Henry Louis Gates Jr. takes viewers back to Africa to talk, not as has been done before, with Africans whose forebears were lost to slavery but with descendants of Africans who grew rich on slave trade.
Read MoreResidences are such a prominent feature of contemporary creative life that there’s an important gathering, the TransCultural Exchange’s Conference on International Opportunities in the Arts.
Read MoreAlthough Gene Yang envisions a similarity between the Boxers (once transformed into their mythological hero aspects) and modern superheroes, BOXERS & SAINTS is far from a simple good vs. evil slugfest.
Read MoreDiscovery Ensemble is one of Boston’s great musical treasures, a group that consistently reminds us not only that the music they play is important, but why that’s the case to begin with.
Read MoreAn evening of risk that explores the edges of physical and emotional risk in dances scored to everything from Kurt Weill to a kitchen table conversation.
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Book Review: Julian Assange Trades Hopes and Fears With Cyberpunks
Any book in which the fourth sentence is “The world is not sliding, but galloping into a new transnational dystopia” runs the risk of overstating its case from the get-go.
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