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Fuse Book Review: “The Bone Clocks” — Not Sufficiently Wound Up

October 10, 2014
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While The Bone Clocks is compulsively readable, there are too many parts of this book that can only be called lazy.

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Food Feature: The Culinary Arts Museum — A Mouth-Watering Experience

October 10, 2014
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The Culinary Arts Museum at Johnson & Wales University reopened in September after a fifteen month hiatus to re-assess its inventory.

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Film Review: Here Comes “The Judge” — A Case of Melodramatic Manslaughter

October 10, 2014
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The good parts of The Judge make the its missteps more painful to watch.

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Fuse News: Another New England Alt-Weekly Bites the Dust

October 9, 2014
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After a 35+ year run, writers for the paper learned today that the Providence Phoenix will be shutting its doors after next week’s issue.

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Visual Arts Review: “Figures of Empire” — When Racism and Art Meet

October 9, 2014
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Some fifty-five objects trace a legacy of casual brutality and white hegemony that is at the heart of Yale University’s—and this nation’s—founding.

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Visual Arts Review: At the ICA — The Many Pleasures That Fiber Can Offer

October 9, 2014
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Fiber takes on two key aesthetic ideas — gravity and the grid — and one major sociological one, the way fiber arts were created and exhibited as part of a larger feminist agenda.

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Theater Review: This “Comedy of Errors” is an Exhilarating Circus of Desperation

October 9, 2014
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The intriguing notion of a down-and-out clown troupe struggling with a classic text propels this superb production.

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Fuse Theater Review: “Knock! The Daniil Kharms Project” — Absurdity Knocked About

October 7, 2014
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Imaginary Beasts is to be congratulated for bringing public attention to the brilliant, idiosyncratic-to–the-max-and-beyond work of Daniil Kharms, a writer silenced by Stalin.

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Visual Arts Review: Lester Johnson — Existentialism’s Matisse

October 7, 2014
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Despite producing atmospheres reminiscent of smoke, rust, and acid, a streak of joy runs through Lester Johnson’s paintings.

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Concert Review: Pianist Maurizio Pollini — Chopin Performed Thrillingly

October 7, 2014
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Maurizio Pollini’s Chopin was breathtakingly beautiful, and often downright thrilling.

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