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Exposure is a septet assembled to perform Robert Fripp’s quirkily diverse, overlooked 1979 solo album “Exposure” for the first time ever, in sequence.
The author argues that “the only way to prevent the senseless acts of cruelty” that result from the “grinding gears” of the “machinery of death” is to “retire the machinery altogether.”
An invaluable way to see live music: one that provides funds to artists who really need it and to the smaller venues that not only deserve support but that also drive business in the local community.
For fans of director Stanley Kubrick, this enhanced biography may be the most thorough and readable volume on one of the cinema’s most profound seers.
If you think the world’s gotten a lot colder in the last couple years, you’re not alone. Director David Cronenberg feels it too.
Three films that stood out at this year’s annual festival at the Museum of Modern Art and Film at Lincoln Center.
The best way to honor all of those responsible for the Allman Brothers Band was to play like the Allman Brothers Band: be fierce, not nostalgic; be pleasing, not cloying; be generous, not self-indulgent. And The Brothers pulled it off.
It takes spine to mash things up this boldly, and the bravery of auteur director Ryan Coogler’s storytelling is breathtaking.
I must confess to hearing some of the Buenos Aires recordings on bootleg LPs, though their sound quality pales in comparison to this Resonance release.
Film Commentary: “Pride and Prejudice” — The Nature of Love, 20 Years On
Joe Wright’s 2005 adaptation of Jane Austen was a cultural tipping point; he was the bold standard bearer for what has become a spirited new form of historical cinema.
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