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The impish comedy and refreshingly realistic perspective of Dope questions easy answers to pressing racial problems.
Read MoreAfter experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
Read MoreThe best of Kageyama Kōyō’s photography contains a nuanced dramatic power that is both aesthetic and political.
Read MoreThere is little for the audience to take away from Red, except the anecdotal dramatization of an event inspired by Mark Rothko’s career.
Read MoreFew companies can do pageantry quite like ABT, buoyed by its vast resources as well as on this occasion the company’s desire to celebrate its 75th anniversary with panache.
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M.I.T.’s Sean Collier Memorial does not make a full-bodied artistic statement — it does not elicit a strongly felt aesthetic or visceral reaction.
Read MoreRichard Nelson does not compel us to pay attention to his characters’ psychological disclosures, and his reluctance to underline is refreshing.
Read MoreRose Marasco’s strong sensibility is always at work, searching for contrasts to capture in her photos.
Read MorePoet Klaus Merz wields his deceptively simple diction in order to pry open hidden secrets: what we leave unsaid, what we neglect, avoid.
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