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Book Review: “Peggy Guggenheim, The Shock of the Modern” — The Woman Behind a Remarkable Legacy

October 1, 2015
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Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.

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Visual Arts Review: Corita Kent at the Harvard Art Museums — Mingling the Mundane and the Sublime

October 1, 2015
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The premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists

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Book Review: “The Invisible Bridge” — Stranger and Scarier Than Fiction

October 1, 2015
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it’s useful to be reminded that Ronald Reagan, the revered All-American icon, was more simulacrum than savior.

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Fuse Theater Review: ASP’s Compelling “Othello” — Taking a Different Tack

October 1, 2015
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ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.

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Rethinking the Repertoire #1: Camille Saint-Saëns’ Symphony in E-flat, op. 2

September 30, 2015
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We begin our survey with one of my favorite musical discoveries of the last three years: Camille Saint-Saëns’ Symphony in E-flat, op. 2.

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Rock Interview: Rod Argent — Keeping the Zombies Alive

September 30, 2015
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Rod Argent of the Zombies on the second incarnation of psychedelia.

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Classical Commentary: “Rethinking the Repertoire” — An Introduction

September 29, 2015
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It’s one of the enduring ironies of classical music that so much of today’s repertoire was written by such a small number of people..

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Visual Arts: Strandbeests — Theo Jansen’s Divine Machinery

September 29, 2015
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Theo Jansen’s kinetic sculptures delightfully blur the conventional lines that divide art, science, and storytelling.

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Theater Review: “Mr Joy” — Empowerment Overload

September 28, 2015
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It is no longer enough for a playwright to go into the belly of the ‘beast’ and pray for help.

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Film Review: “The Second Mother” — A Sensitive Study of Class Consciousness in Brazil

September 28, 2015
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The actors draw you in, so there is no need for extraneous exposition as the film carefully examines the ironies of the Brazilian class system.

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