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Film DVD Review: 1931’s “The Front Page” — Restored

October 6, 2015
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The improved viewing experience of the 1931 version of The Front Page enhances the stature of director Lewis Milestone as an early-talkie innovator and shows off the crack ensemble cast.

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Rethinking the Repertoire #2: Anna Clyne’s “Night Ferry”

October 5, 2015
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Night Ferry proves to be an ambitious, absorbing score, filled with music of great color, vitality, and expression.

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Visual Arts Review: Mark Pharis and George Mason — Beautiful Micro-Infusions of Chaos

October 5, 2015
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The pieces in this exhibition are apt examples of just how smart and complex purely ‘decorative’ objects can be.

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Fuse Coming Attractions: What Will Light Your Fire This Week

October 4, 2015
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Arts Fuse critics select the best in film, theater, music, visual arts, and author events for the coming week.

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Fuse Rock Interview: Dave Davies — Playing the Kinks Klassics

October 4, 2015
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In this interview Dave Davies discusses his solo show and gives us the latest on the ongoing Kinks intrigues.

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Film Review: “Breathe” — French Teens and the Sins of the Parents

October 3, 2015
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Complex and nuanced, Breathe thankfully owes little to our current assembly line of teen angst flicks.

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Theater Review: “Einstein’s Dreams” — Time After Time

October 3, 2015
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Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.

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Concert Review: BSO’s Andris Nelsons conducts Shostakovich, Tchaikovsky, and Rachmaninoff

October 2, 2015
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The BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.

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Book Review: The Blissful “Botched-Night Splendor” of Tram 83

October 2, 2015
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Tram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.

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Book Review: “Peggy Guggenheim, The Shock of the Modern” — The Woman Behind a Remarkable Legacy

October 1, 2015
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Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.

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