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Sunday’s concert was highlighted by the world premiere of Bernard Hoffer’s ballet after Longfellow’s Paul Revere’s Ride.
In the Shadow of Women is obviously meant to be a throwback/homage to the French New Wave cinema of the early to mid-1960s.
Lawren Harris is determined to present a static vision of the top of the continent, a version of nature that is stylized, austere, immobile, and eternal.
In this enjoyable novel, Martin Suter has chosen to sidestep depth in favor of colorful characters fine-honing their hopes and dreams..
Skylar Gudasz’s deep voice is well suited to the gorgeous melancholy that pervades her songs.
Koubi’s piece overturned expectations in so many ways it could be called innovative, groundbreaking.
August Wilson’s dramatized autobiography, thanks to the magnificent actor Eugene Lee, is a stirring experience.
Some records are snapshots, but Last Danger of Frost is more like a long gaze into a mirror.
Arts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Fuse Commentary: The Boston Symphony Orchestra’s 2016-17 Season Announcement
On the whole, 2016-17 is shaping up to be one of the liveliest Boston Symphony Orchestra seasons since the first years of James Levine’s tenure.
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