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Films about relationships are often the best offerings in the Provincetown Film Festival, and several of the narrative films at this year’s go-around were about seeking connection.
Happily, these clean, bright Craft reissues make some invaluable music glisten.
This year’s Chicago Blues Festival provided plenty of hope for the blues.
Pianist Yeol Eum Son is more than up to the demands of J.S. Bach and Maurice Ravel; violinist Bomsori brings exquisite balances and shimmering sonority to Bruch and Korngold.
The artist’s focus on brutality is present in the show, but the anger and homoeroticism that infused so much of his work are missing.
The book provides ample proof that activist artists, when determined, can use their work to influence our thinking in positive ways, and effect change.
The strongest element in this Arlekin production is the indelible stage images of loss and love, death and despair, memory and resilience, dreamed up by director Igor Golyak and his talented production team.
Film Commentary: Zombie Apocalypse, Re-Imagined — The Legacy of “28 Days Later”
Where is the grandiose zombie apocalypse that illuminates the grotesque reality of the death-denying yet death-obsessed beings we’ve become? Ralph Fiennes knows.
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