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Book Review: “With the Radio On” — The Modern Lovers, Aptly Canonized

March 18, 2017
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Simplicity is its genius; some call “Roadrunner” the first punk song for a reason.

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The Arts on the Stamps of the World — March 18

March 18, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “Silent Sky” — Cosmic Wonder, Captured

March 17, 2017
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Silent Sky is a moving and thoughtful play; it is well worth the gaze of any serious theatergoer.

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Visual Arts Feature: The Photographs of Henryk Ross — An Eye on the Banality of Evil

March 17, 2017
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In the remarkable images of Henryk Ross, Nazi evil is exposed through a kind of heroic voyeurism.

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The Arts on the Stamps of the World — March 17

March 17, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on the Stamps of the World — March 16

March 16, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: The Lure — Surreal Mermaid Horror Musical

March 16, 2017
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The Lure is often violent and disturbing, but its unapologetic strangeness make it one of the most memorable foreign films in recent years.

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The Arts on the Stamps of the World — March 15

March 15, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: “My Life as a Zucchini”—A French Fable of Loss and Belonging

March 14, 2017
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Children’s connections to one another are layered and complex, and their understanding of the adult world more sophisticated than we usually allow.

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Dance Review: Popcorn from BODYTRAFFIC

March 14, 2017
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BODYTRAFFIC seems to be invested in a relentless likeability.

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