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Director Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
The Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.
An Arts Fuse regular feature: the arts on stamps of the world.
A welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.
The fiery excellence of Handel and Haydn Society’s collective effort made Monteverdi’s epic masterpiece sparkle like a star.
An Arts Fuse regular feature: the arts on stamps of the world.
The script softens up the issue of patriarchal authoritarianism by plugging it into a family comedy structure.
An Arts Fuse regular feature: the arts on stamps of the world.
temping is a strange and experimental beast, and I look forward to seeing where this type of interactive experience goes next.
Music Commentary: Thoughts on the Boston Symphony Orchestra’s 2017-18 Season
On paper, at least, the upcoming season of the BSO is a bit of a letdown: cautious, unthreatening, comfortable.
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