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A unique, memorable summit of three intellectually minded luminaries who bridged jazz, classical, Latin and South Asian influences.
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“I wanted, with this opera, to see if audiences and collaborators could feel something about our changing weather, in an artistic space.”
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Conductor Jane Glover, marvelous soloists — including superstar countertenor Aryeh Nussbaum Cohen — and a superb chorus and orchestra invigorate one of Handel’s last and greatest works.
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Errol Morris takes another look at Helter Skelter and the Charles Manson murders.
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Director/actress Paola Cortellesi’s “There’s Still Tomorrow” is yet another bold cinematic plea for women’s rights.
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Jackson Lears’s collection of essays and book reviews gets a few things right in its description of various kooks, oddballs, and mavericks who sometimes succeeded in moving history in their direction. But it gets far more wrong.
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Bong Joon Ho’s “Mickey 17” is one of the most vicious, cruel, and savagely arch vivisections of our global economic and socio-political reality since… well… Bong’s 2013 movie “Snowpiercer”.
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This week’s poem: Elizabeth T. Gray Jr’s From “After The Operation”
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“A Man of No Importance” is a fitting finale for Paul Daigneault’s tenure as Artistic Director of SpeakEasy Stage Company because it is a paean to the power of theater as both an artistic expression and a place to discover community.
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A review of two fine backstage (or offstage) comedies at the Berlinale — “Blue Moon” and “Koln 75”.
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