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The Arts on Stamps of the World — September 23

September 23, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Interview: Jeff Rapsis’ Code of Silents

September 22, 2017
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For the past decade, Jeff Rapsis has improvised live scores for silent films starring Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.

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Classical CD Reviews: Arabella Steinbacher plays Britten and Hindemith and Daniil Trifonov’s “Chopin Evocations”

September 22, 2017
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Hindemith and Britten could hardly have asked for more committed advocates than Steinbacher, Jurowski, and the RSOB.

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The Arts on Stamps of the World — September 22

September 22, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: “Brad’s Status” — A Triumphant Comedy About Male Failure

September 22, 2017
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This downer comedy is a triumphant entry into the botched, washout male category of cinema.

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Theater Review: “Faceless” — Dramatically Indecisive

September 21, 2017
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Selina Fllinger’s play manages to serve up some vivid confrontations between believers and doubters.

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Book Review: “To the Back of Beyond” — Extreme Ambiguity

September 21, 2017
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Evidently, plain-spoken language plus doubt and apprehension equate to novels that, once opened, are very hard to put down.

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Book Interview: Danny Goldberg on the Essence of Hippiness

September 21, 2017
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“To me, ’67 was a year that was different from what came after it.”

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The Arts on Stamps of the World — September 21

September 21, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Classical CD Reviews: Pianist Andrew Cooperstock plays Leonard Bernstein and Humperdinck’s “Hänsel und Gretel”

September 20, 2017
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If there’s an essential “Leonard Bernstein at 100” album, this one, so far, is it: excellent performances of relatively unknown music deserving to be heard.

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