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Rock Review: Here Come The Monks — Again

October 4, 2017
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The Monks were, and to some extent still are, the quintessential cult band.

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The Arts on Stamps of the World —October 4

October 4, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: Wilbury Theatre’s Splendid “Caretaker”

October 3, 2017
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Wilbury Theatre proves that an arts organization can grow while pushing an experimental agenda.

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Concert Review: Beethoven and Shostakovich at Symphony Hall

October 3, 2017
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One of Andris Nelsons’ great gifts as an interpreter is his ability to shape and develop large-scale musical forms.

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The Arts on Stamps of the World —October 3

October 3, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Music Review: Saxon and UFO — Still Howling After All These Years

October 2, 2017
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Saxon and UFO may not be ‘forever young,’ but their spirits have yet to grow old.

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Dance Review: Tanztheater Wuppertal Pina Bausch at BAM

October 2, 2017
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I will continue to watch Wenders’s Pina, over and over—but nothing can replicate being in the room with the real deals.

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The Arts on Stamps of the World —October 2

October 2, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on Stamps of the World —October 1

October 1, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: ASP’s “Exit The King” – When Politics Become Absurd

September 30, 2017
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In Ionesco’s play, society no longer makes sense — even to itself.

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