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Anthony DeCurtis wants to do justice to his subjects’ extensive catalogue, but the book begins to feel less like exegesis and more like Lou Reed 101.
Read MoreThelma learns that she can’t escape who she is — but she can control what she does.
Read MoreUltimately, this production of Lost Girls might have gone deeper if it had been slowed down a bit.
Read MoreSpeakEasy Stage Company’s production of Shakespeare in Love comes off as lovely, temperate, and at least a little trite.
Read MoreTo the end of his life, David Bowie was excited about creating innovative sounds and collaborating with new musicians.
Read MoreDe Hamel’s history is a detective story, a love story, and a revelation of the nourishment to be found in celebrated libraries and collections.
Read MoreKNYUM is unlike anything else New England theatre currently has to offer — in the best possible way.
Read MorePerformance has always included sex and physicality in its attractions. Koubi’s work tries to move the spectators to a higher level.
Read MoreThe Isleys remain bizarrely underrated by mainstream media outlets, but they’ve never been forgotten by music fans.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues