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Food Feature: Somerville — Chocolate Capital of Massachusetts?

April 24, 2018
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Somerville’s Union Square hosts four chocolate companies, in renovated warehouses.

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Dance Review: Alonzo King — Disembodied

April 23, 2018
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Sutra was a curious mix of reverence and virtuosity, lavish movement and intricate music — over an hour’s worth of changing forms. I found it intriguing and untrackable.

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Jazz Preview: Arlington Jazz Festival — An Ambitious Line-up

April 23, 2018
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The motto on the Morningside Music Studios web site is “keep the groove in your life.” Words to live by.

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The Arts on the Stamps of the World — April 22

April 22, 2018
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Revisiting a former Arts Fuse regular feature: the arts on stamps of the world.

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Coming Attractions: April 22 through May 8– What Will Light Your Fire

April 22, 2018
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Arts Fuse critics select the best in film, dance, visual arts, theater, music, and author events for the coming weeks.

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Visual Arts Review: London’s Fourth Plinth — A Brilliant Public Artwork in Central London

April 21, 2018
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“The Invisible Enemy Should Not Exist” is a rare transformative piece of public art.

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Jazz Commentary: Survival of a Scene in Boston

April 21, 2018
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Local music venues — especially those with “off” music like jazz — are caught in a vice, with real estate escalation on one side and corporate-dominated digital technology on the other.

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Jazz Preview: Radio Host Eric Jackson Anchors Jazz Week 2018

April 20, 2018
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Eric Jackson at the Beantown Jazz Festival

WGBH’s Eric Jackson has truly been the voice of jazz in Boston for more than forty years. This year, Boston Jazz Week centers around a celebration of Eric’s four decades at the heart of the jazz scene in the Boston metro area.

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Book Review: “A Short History of Ireland” — A Concise Past

April 20, 2018
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Gibney’s volume offers a wide range of readers with an introduction to the complexities of Irish history, including questions of what exactly constitutes the national history itself.

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Visual Arts Review: A Delightful View of Edward Gorey’s World

April 18, 2018
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The delightful Wadsworth installation is a fitting setting for the beloved artist and illustrator and the work he himself loved.

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