Posts
This edition of Wheels of Soul works just fine as a display of post-Allman Brothers Band/post-Lynyrd Skynyrd/ post-Tom Petty musical sensibilities shaped in the South.
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One of the most astonishing sets of my week in Montreal featured two Frenchmen, accordionist Vincent Peirani and soprano saxophonist Émile Parisien.
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Among the festival’s highlights: pianist-singer Jeremy Dutcher, who arrived on the stage of the tiny space Gésu dressed in shorts and a long flowing black robe with a hood.
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Pianist Constantine Finehouse and violinist Daniel Kurganov are well-matched musicians, and have recorded a superb album.
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An elegy to youth and the transgressions of reckless behaviors, Them celebrates sex as a wild and raw imperative.
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Nels Cline 4 is a group that can cross musical and cultural boundaries with exhilarating ease.
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Who knew that there were dozens of first-rate female American, Scandinavian, German, Swiss, French and Russian painters in Paris in the second half of the 19th century?
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Thornton Wilder’s Big Ideas do not get lost in the hurly-burly of this production.
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Director Debra Granik’s focus on young women whose lives have been steeped in nature and hardship, forced to lead their families forward despite scant resources, posits a refreshing feminine archetype.
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Music Commentary: Jazz at Lincoln Center Orchestra — Women are Locked Out
“They travel the world and have for years,” says Ellen Seeling, “sending the message that there are no women good enough to be in this organization.”
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