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A B-movie par excellence, Greta’s the kind of unhinged and yet fiendishly well-calibrated genre fare that rarely gets afforded the attentions of a director as accomplished as Neil Jordan.
1917 was an important year, but perhaps not important enough to justify the sweeping title of the book.
What’s a band of re-orphaned misfits to do? Dance away the pain, obviously.
Francois-Adrien
Michael Gordon’s score for The Unchanging Sea works better as soundtrack than a concert work; Harmonia mundi releases a DVD of William Kentridge’s powerful staging of Alban Berg’s Wozzeck.
On an elemental level, Stanley Donen’s films epitomize what we think of when we think of the best of Hollywood cinema.
This Sunday’s BPYO concert tied together a number of highly personal strands, presenting music connected to two of conductor Benjamin Zander’s mentors — Benjamin Britten and Gustav Holst.
The script offers an indispensable vision of American history from the point of view of African women.
Commentary/Interview: “Du Bois’s Telegram” — Restricting Literary Resistance
Is there a disconnect between artists and meaningful resistance movements?
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