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The BPYO’s repertoire in Brazil is drawn from last year’s programs and is built around Rachmaninoff’s Piano Concerto no. 2.
Fresh from choreographing a Tony award-winning revival of Oklahoma!, John Heginbotham presents a world premiere in the Hopkins Center for the Arts at Dartmouth College.
Jamestown is a vividly timely reminder that anyone who calls themselves an “American” is actually descended from immigrants.
Melinda Lopez’s superb new translation of Yerma makes the language of the play approachable, even conversational, without losing the beauty of Lorca’s poetry.
Written more than a decade ago, Mahida’s Extra Key to Heaven falls all too painfully closely in line with current events.
Lighting Martha delves into the psychological tensions generated by alternative lifestyles — many, many decades ago.
The P-Town Fest was the site of several first-rate documentaries.
The book will stand as a good first stop for anyone interested in Alfred Stieglitz, 20th-century photography, or American modern art.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Thanks to BEMF for once again presenting Benjamin Bagby, who seems incapable of serving up anything but a wonderfully memorable experience.
Fest Review: IFFBoston Shorts — Part One