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“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
A giddily inventive, surreally hilarious, and sometimes profound debut novel.
The Boston Landmarks Orchestra offered a rousing valediction for a summer season drawing to a close.
Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
Considering the chaotic state the world is in, there is something to be said for this kind of film — a nice little movie that supplies a welcome pick-me-up
Film noir’s penetrating, knowing diagnosis of, and response to, corruption and venality prepares us for the dank turpitude that lurks in places both highfalutin and hidden.
Aruán Ortiz’s energy, his skill at creating surprises and variations, and his impressive keyboard mastery make his solo album fascinating.
Viewers would be wise not to search for a deeper meaning in “Caught Stealing” — this is an example of entertaining commercial filmmaking from one of our best directors.
An engagingly put together cinematic celebration of the cat.
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