Posts
Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.
Read More
Verisimilitude is rarely a meaningful measure by which to judge a film, but The Souvenir is obsessed with exploring the line between documentary and narrative, reality and art.
Read More
How seriously do we take country rap? Is it even a genre?
Read More
Do musicals with honorable intentions deserve a pass when it comes to quality?
Read More
With the release of her second solo album, Tal Wilkenfeld has become more than a bass virtuoso: she’s a sensitive songwriter, expressive singer, and capable guitarist.
Read More
Almost every painting here is a discovery worth making.
Read More
We will find out how much the future of the earth matters in the next Presidential election.
Read More
Railroad Rhythms is one of the year’s delights: unexpected, well played, and thoroughly charming. Theodore Kuchar is a conductor who seems to know precious few limitations; Eduard Strauss, despite his champions, turns out to have been a competent writer of music for the day.
Read More
Once again, drummer Ralph Peterson pays fine homage to Art Blakey’s tradition of joyous, hard-edged bashing jazz.
Read More
Video Game Commentary: PAX East 2019 — Day One
My first day at this year’s PAX East was generally disappointing, though there was some enjoyment to be had.
Read More