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“Caught by the Tides” eludes the narcissistic congratulation found in self-referential cinema because it absorbs Jia’s early work to create something that has the shock of the new, as much as it builds on the past.
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There’s much to recommend in Behzod Abduraimov’s rendition of Prokofiev’s Piano Concerto No. 2, which is both highly characterful and a lot of fun to listen to.
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The lush, lyrical, and demanding score is the main attraction, and the excellent Huntington Theatre Company cast is, for the most part, up to the challenge of singing it.
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While David Shapiro’s criticism is audacious, his interviews are self-deprecating and offbeat, filled with surprising reveals.
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Chronicling Gene Krupa’s ups and downs and registering his impact on contemporary music, Master of the Drums is a well-deserved account of one of the key musical artists of the past century.
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“Mission: Impossible – The Final Reckoning” is an honest piece of grand entertainment, not as great as “Mission: Impossible – Dead Reckoning Part One,” but still pretty great.
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A new release from the BBC Scottish Symphony Orchestra and Timothy Redmond showcases music from four very different composers, two British and two American. A survey of Italian concertos from pianist Roberto Prosseda, the London Philharmonic Orchestra, and conductor Nir Kabaretti supplies a specter of menace.
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“You make it a goal — one day performing on a big stage, such as Boston Calling. To see it come to fruition is a dream, it’s awesome.”
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Arts Commentary: The Battle for Imagination — Unraveling America’s Cultural Infrastructure
Abolishing cultural infrastructure and the deregulation of emerging technologies are two sides of the same anti-intellectual coin.
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