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Suzanne Vega’s collection of 10 new original songs further solidifies and builds on her reputation as a unique talent among her generation of singer-songwriters.
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Pianist Larry Goldings’ repertoire on this trio album is expertly chosen for its variety and melodic appeal.
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“The MFA is a place that really matters to a lot of people, and it is the safety of this place that matters and its commitment to excellence. These are things that must never be compromised.”
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Max Ewing is little known today, but this book celebrates him as a sexually nonconforming bachelor who strove to impress the quirkiest bohemian clique of the Roaring ’20s.
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This exhibition is evidence of the venerable museum’s interest in expanding its collections so that more voices and perspectives can contribute to our understanding of our own complicated history.
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The 2025 edition of Boston Calling largely appealed to a younger demographic, despite highlighting some older bearers of nostalgia.
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The performance at Groton Hill Music Center will “be a journey through Brazil. They will hear some classics, some great Brazilian love songs, and hear stories about the songs. I will dedicate some of the show to the bossa nova.”
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On two recent releases, trumpeter Paolo Fresu shows us exactly what he has learned from Miles Davis, and how that has expanded rather than limited his music.
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Theater like this is especially crucial at a time of destructive national division: it is explicitly aimed at intergenerational audiences, it takes on issues that confront family and community, and it makes the experience of learning and relearning elemental democratic lessons both fun and communal.
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