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Television Review: “The Family” — Ruthlessness and Christian Piety

October 1, 2019
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The documentary sees The Family as really just a huge, secretive, and well-funded lobbying firm: separating church and state is for losers.

Theater Review: “Tiny Beautiful Things” — A Little Anonymity Can Bring Us Closer Together

September 30, 2019
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At its best, Tiny Beautiful Things delves deep into demanding emotional territory without becoming sappy or maudlin.

Author Interview: Will Birch Talks about Nick Lowe — Singer, Songwriter, Producer, Bassist, and Cult Figure

September 30, 2019
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Will Birch’s biography Cruel to Be Kind effortlessly details the six decade career of rocker Nick Lowe.

Film Reconsideration: The Beats’s “Pull My Daisy” at 60

September 29, 2019
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You can go home again, daddy-o, but you’re not the same person you were the first time around.

Arts Remembrance: Robert Hunter, Lyricist for the Grateful Dead

September 29, 2019
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Robert Hunter did as much to shape the sound and influence of the Grateful Dead as guitarist Jerry Garcia did.

Book Feature: Jake Brennan’s “Disgraceland” — A Wicked Exposé of Popular Music’s Psychopaths

September 28, 2019
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Jake Brennan’s unique blend of humor and horror generates very entertaining stories about some of the most shocking crimes committed by various icons of rock, pop, and punk music.

Theater Review: ArtsEmerson Presents the Exhilarating “Passengers”

September 28, 2019
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The latest show from circus troupe The 7 Fingers is both intimate and gasp-inducing.

Theater Review: David Byrne’s Wondrous “American Utopia”

September 27, 2019
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David Byrne and the band has clearly made a home out of the Emerson Colonial, working out tweaks in what has evolved into an extremely tight, invigorating show.

Film Review: “Judy” — Far More Than Just Another Hollywood Tragedy

September 27, 2019
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As Judy Garland, Renée Zellweger is in a movie that doesn’t match her fine performance.

Book Review: “The Heartbeat of Wounded Knee” — Dreaming a New Dream for Native Americans

September 27, 2019
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In this remarkable and timely book, David Treuer is determined that Native American history not be seen as a “catalog of pain.”

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