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Desperate times, desperate measures.
This was an enormously exciting production of Merchant of Venice, a reminder that theater can be (in fact, must be!) nervy.
Wall Street is getting a $1.5 trillion bailout (and counting). As usual, the arts, despite being a key economic engine, will not be so lucky.
This carefully-crafted chamber piece revolves about a woman whose compulsion to eat non-edible things is both fascinating and disturbing.
Marvelously acted and directed, First Cow is a masterpiece that dramatizes how struggle and adversity are part of the human comedy.
At its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
Adam Sherman, Cambridge-based musician, voice teacher, and vocal coach never went away.
What makes this book so necessary is that these are writers willing to state realities that members of both parties prefer to keep under the rug.
Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
Arts Commentary: Helping Dance at a Time of Social Distancing
How, frankly, could I help people engage with their inherent creative powers and feel just a little bit better?
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