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Open Mike Eagle may have written this album for himself, but many others will recognize themselves somewhere in his words and in his pain.
It should be no surprise that Sawyer seeks and finds new sounds on Less Than More Than. The EP is a deep dive into synth-driven pop that expands on the band’s philosophy.
Filled with galoots of all kinds, the novel might not have any true reason for existing, nor may it have any reason to end. But heck, it’s a good, old-fashioned, medicine show of a read.
In the end, The Trial of the Chicago 7 strikes a reasonable balance between historical document and cinematic art.
White Noise is neither a polemic nor an exercise in agitprop: it is a journey into the dark center of a reprehensible movement that is growing more vocal every day.
A round-up of fresh performances of Beethoven Concerti.
It’s as if Moshfegh is testing the furthest limits of a “red herring”: what if everything is red and everything is herring?
Swamp Thing is downright ornery, at times questioning political and corporate power as well as environmental protections.
A welcome political homage to Woody Guthrie, a new recording of Ethel Smyth’s 1931 choral symphony makes a strong case for a full reconsideration of her output, and David Lang’s rejiggering of Beethoven’s Fidelio is both stirring and timeless.
Visual Arts Commentary: America’s Historical Monuments — Under Reconsideration
The Dwight D. Eisenhower Memorial is the latest product of our heated social/political/cultural debates about America’s memorials and their vision of the country’s past, present, and future.
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