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One can only hope that Gail Samuel’s hiring means that the BSO’s welcome-but-fitful efforts at expanding its repertoire and engaging the community of late will become central to its post-pandemic mission.
A Glitch in the Matrix is nowhere near as unhinged as a Dinesh D’Souza “documentary,” but it’s mentally taxing to watch so many people describe the real world like it’s Minecraft.
You will come away impressed by Patricia Lockwood’s skillful literary play — enjoy an escape from your own Internet miasma, and then be affected by a powerful contrast to it.
Two brilliant Israeli pianists have released exceptional musical offerings.
Unlike other pretentious and/or earnest travel shows, Men in Kilts is downright jolly.
Despite its potential for black comedy or moral sermonizing, 4×4 remains a gripping suspenser.
Can we correct some of the mistakes we’ve made and engineer our way out of a deadly climate crisis of our own making?
We’re desperate for some frothy good spirits, so welcome Barb & Star’s turquoise ‘n’ hot pink assault, forgive it for being mildly funny more often than wildly funny, and enjoy its modest pleasures.
Over 75 segments from the Berlin Wall have found their way to the U.S., providing the subject for The American Sector, an amusing, quirky, and meditative road-trip/scavenger hunt.
There’s much to admire in the color, character, and urgency of the Minnesotans’ playing and the overall strong direction from conductor Osmo Vänskä.
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