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Each month, our arts critics — music, book, theater, dance, and visual arts — fire off a few brief bursts of criticism.
Jake Cohen is “modern” in that he takes a contemporary approach at spreading the gospel; he is an expert at using social media.
Crisis takes on the opioid crisis – which has killed more people than the war in Vietnam — and gives corporate villainy (Big Pharma) the Hollywood treatment.
Manfred Honeck’s one of the finest and most exciting Beethoven conductors around, but his interpretive decisions result in an account of the Ninth’s climactic sequence that comes over as episodic and mannered.
The problem with I Care a Lot is that, despite its intimations of reality, there are tropes and story elements that come off as melodramatic for melodrama’s sake.
Jumbo is one of the most magically affecting and visually enthralling romances I’ve seen in quite some time
The life of a working musician is not a second-class life, and Mimi Rabson’s is Exhibit A: “I try to get past the limits of the definitions and get to the joy.”
An interview with Brookline’s own Leslie Epstein on his new novel, the inexhaustible freshness of Casablanca, and the need for truth in historical fiction.
We need more recordings like this. This is a diverse and imaginative album that draws on a wide range of influences: rap, old-school funk, Afropop, traditional West African music, and R&B jam sessions.
This live performance recording showcases the Boston-based singer/pianist Kemp Harris’s merrily eclectic approach — it is a thought-stirring and animated musical excursion.
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