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Personable but bracing, Sea Sick delivers an essential message: not only about the damage that is being done to the oceans, but the horrors that are coming down the pike.
What could have been a fantastic twenty-minute short becomes a tedious slog as a stretched-out feature.
This BarabásiLab exhibition is inspiring because it exemplifies a powerful integration of art and technology.
A welcome homecoming for a new 4K digital restoration of a landmark independent film that’s attained cult status.
Africa’s Struggle for Its Art usefully charts the prequel to current campaigns pressuring for the return of colonial plunder.
Just after Covid arrived in North America, journalist Helen Epstein was diagnosed with endometrial cancer — one of a predicted 66,570 new cases of cancer of the uterine body in the United States in 2021.
Again and again, we are taken in The Will to See to places where regular reporters never venture, and certainly not filmgoers.
Nic Caldwell talks with Elizabeth Howard about poet Gwendolyn Brooks, her work, and the recent acquisition of her personal papers for the Morgan Library and Museum collection and the exhibition he curated.
Sy Montgomery raises the question of our relationship to the world and all its animals and nudges us toward the view that even predators deserve our support and admiration because of the value they bring to our planet.
Book Review: “The Poetics of Cruising” — Imaginative Acts of Capture
By exploring the historical and artistic significance of cruising throughout poetry, photography, and visual culture, the book produces a rich and exciting topography of queer culture that posits a reflexive relationship of vicarious cruising between “cruising texts” and their consumers.
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