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“For this season, I did not want us to do a ‘greatest hits.’ I did not want to limp away. This is our last full and robust season, but not our last time producing plays.”
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A giddily inventive, surreally hilarious, and sometimes profound debut novel.
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The Boston Landmarks Orchestra offered a rousing valediction for a summer season drawing to a close.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Considering the chaotic state the world is in, there is something to be said for this kind of film — a nice little movie that supplies a welcome pick-me-up
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Film noir’s penetrating, knowing diagnosis of, and response to, corruption and venality prepares us for the dank turpitude that lurks in places both highfalutin and hidden.
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Aruán Ortiz’s energy, his skill at creating surprises and variations, and his impressive keyboard mastery make his solo album fascinating.
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Viewers would be wise not to search for a deeper meaning in “Caught Stealing” — this is an example of entertaining commercial filmmaking from one of our best directors.
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An engagingly put together cinematic celebration of the cat.
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